by Glenn Lewis, Phyllis Schwartz and Debra Sloan
Author Archives: kitsmediatech
Contemporary Ceramics of British Columbia
Published at ceramicsnow.org
By Debra Sloan
A Special Place
The International Ceramics Studio in Kecskémet, Hungary
CeramicsTECHNICAL, No. 31, 2010
By Debra Sloan
Seeking the Nuance
Seeking the Nuance
by Glenn Lewis, project co-ordinator and designer,
Phyllis Schwartz, and editor Debra Sloan.
Published by the Potters Guild of BC, 2009
ISBN 098-0-9696077-1-7
A Dogged Process
Debra Sloan creates life-size dogs
CeramicsTECHNICAL, No. 27, 2008
By Debra Sloan
Perception of Craft/Design/Fine Art
Perception of Craft/Design/Fine Art
MAGazine. Metal Arts Guild of Canada, Vol 20 (1), 2005
By Debra Sloan
The Potters Guild of BC: Origins of a Ceramic Culture
The First Fifty Years – 1955-2005
Fusion Magazine, Volume #29 #3 2005
Written and submitted by Heather Cairns and Debra Sloan
Origins of a Ceramic Culture:
The First Fifty Years of the BC Potters Guild 1955 – 2005
August 2005
By Debra Sloan
Photo Essay on Haney Clay
Kecskemet 2013, Week 9, T. arrives, the grand opening and final images of finished work.
T bones arrived safe and sound and on time. Modern travel can be amazing. We walked straight to Caezar’s for dins en route back from the train…..a great way for T. to start his travels. Sarah Williams from Boston, has just arrived for a one month residency. She will work in the ‘fishbowl’ or ‘birdcage’studio.
She hopes a perfect fit. The next day was consumed with getting ready for and heading out on the big bus for the opening of the ‘Art from the Cloister of Clay’.
The opening was quite formal, as befitted the occasion, with music, wine and speeches. Emese taking her pictures, Janos talking with reporters, Jona greeting visitors, and Marinann distributing flowers to friends from the ICS. Everyone who could come, came. The Exhibition was in the planning stages during the time that Janos and Jona withdrew from their involvement with the ICS. They proceeded despite many difficulties to curate a fascinating exhibition.
The exhibition, made up of 260 plus works taken from the ICS Collection, showcases the most important Hungarian and International artists who have worked at the ICS over the last 40 years. Janos and Jona curated the exhibition to emphasize the cultural importance of this unique world-class collection of contemporary ceramics. The Collection came into being because of their leadership and vision. The catalogue supports and re-initerates the importance of this collection for the Hungarian people and for people interested in ceramics worldwide. We all hope that the various levels of Governments and funding agencies are paying attention.
Terry and I spent the last day packing, finding my trunks amazingly heavy, and running out of bubble wrap. I pulled Annie’s Tribute out of a trunk, and happily handed her over to Jakab’s care…he often came in and gave her a pat. She was last seen in the back of his car! Jakab left a bottle of Palinka on my worktable, so I nipped off to have a comforting Palinka with Zsolt, Balzs and Marton. Then emptied my fridge of wine, beer, eggs, sausages and all, and asked Marton and Balzs, a great cook, if they would kindly whip us up a dinner…..it was fabulous – a classic Hungarian ‘casterole’ and good company – with a rainstorm outside accompanied by thunder and lightening.