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Just before heading for the plane, I put this little piece, made in 2009, in my pocket. This simplified baby became the fulcrum for the residency and I will continue to work with it when I return to Vancouver.
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The Big Pink Baby, became The Golden Boy, the terra sigalattas transformed in the wood-fired Salt firing. Surprise!!!
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My last big piece made at the ICS. Terra sigalattas on the surface. I think she is at her best unfired. This time the result was quite dry. I hope to be able to do more surface work on her when i get back to my home studio.
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Shortly before the end of the residency. A vignette by my window, showing the different scales of the cast forms and the handbuilt.
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Another baby and dog combo. Still green.
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the slip cast babies are beginning to pile up.....they seem to work well as multiples.
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Yet another howler...looking a bit like a dinosaur.
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Preparing for the salt kiln, the slip and sig area get chaotic.
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The howers are finished, with a combination of slips an terra Sigalattas, and ready for the Salt Kiln.
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Work continues , and time marches on. we cannot believe how quickly each day, each week, passes.
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The kiln could have gone hotter and the results is that the ash remains unburned inside some of the pots...Mary lost a few.
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Because my figures were standing, and were at the top of the kiln, the ash melted beautifully on the terra siggalattas
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but she also got a few spectacualr results, showing her deft hand with colour and line.
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added lots of wood.....but we found out later, it is a matter of timing with allowing the wood to produce the heat by burning thoroughly, rather than just pileing on.
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The students from Sopron fire through the night till 6am, for us. they were supposed to get the temp up to 1000c by 6am when Jakab arrived to check...they tried...
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Margaret is in with the fish, to her relief!
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First salt at 1200c....about 10k was used over the last 3 hours of the firing.
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and then considers her options....more wood...now or more wood later....
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The big smoke